Maand van de Grafiek

February 20, 2016


IS-projects is working on a project for October 2016 related to 'Maand van de Grafiek' and several projects for 2017 within the context of the anniversary '100 years De Stijl'.
 

Opening tomorrow September 20, 3 pm

September 19, 2015
Es sieht gut aus!



Sunday 20 September from 3 pm, we will be happy to welcome you for YC @ IS, an exhibition with 36 multiples, paintings, photographs, mirrors, sculptures and more by 25 artists.

Image: Iemke van Dijk's wall drawing reflected in Christoph Dahlhausen's Target. (PE-foil on mirror)


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Opening on September 20

September 9, 2015
On the 20th of September, IS-projects will be happy to meet you for the exhibition with German based initiative Young Collectors.


Young Collectors is based in Miel, near Bonn and is aims to bring good quality affordable art for the (starting) collector.

For this event, the collection will expand with works by Sakir Gökcebag (Turkey), Henriette van 't Hoog (The Netherlands), Noel Ivanof (New Zealand) and Leopoldine Roux (France).

Stay tuned, more later.




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Therely Bare (Redux) in Nashville

August 31, 2015




Curated by John Tallman in association with IS-projects, Therely Bare (Redux) has become a travelling exhibition of non-objective art featuring the work of various artists working on the international level. Working in a range of styles, the artists of this exhibition share in common a subversive approach to the traditions of painting. The exhibition title Therely Bare (Redux) is wordplay, an inversion of “barely there.” It also hints at the curatorial premises of the exhibition. T...
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Therely Bare went to Nashville

August 27, 2015



Therely Bare (Redux) has become a travelling exhibition of non-objective art featuring the work of various artists working on the international level. Working in a range of styles, the artists of this exhibition share in common a subversive approach to the traditions of painting. The exhibition title Therely Bare (Redux) is wordplay, an inversion of “barely there.” It also hints at the curatorial premises of the exhibition. The physical presence of the work in the exhibition is not...
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Artist Focus: Lorri Ott

June 7, 2015
Lorri Ott takes risks. The risks she takes are philosophical, pushing the edges of what we can call “beautiful” and challenging us on what we can call “painting”. Using pigmented resin, cloth and found materials her works are recorded moments where the materials seek their level, find their space and then set. Of course her pieces are far from random with a confident hand behind them, setting the parameters and guiding the pours, asserting the colors. The results that make it out of t...
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Today last chance to visit Art Athina

June 7, 2015
The largest annual Greek visual arts happening is open today from 12 pm to 9 pm.
Faliron Pavilion (Olympic TaeKwonDo Stadium)
2 Moraitini str., 17 561 P. Faliro

Entrance price: €7
Concessions: €5 (students, people over the age of 65, unemployment card holders)
Free entrance for people with disabilities, children up to 18 years, members of the Chamber of Fine Arts of Greece and the members of AICA

How to get there:
BY TRAM: STOP:  Agia Skepi
Blue Line: SEF – Asklipiio Voulas | Red Line: Syntagma...
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IS-projects TALK at Art Athina

June 6, 2015
Iemke and John talking about IS-projects and the Therely Bare (Redux) booth presentation in a public talk at Art Athina.
The talk was about subverting painting.




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IS-projects at Art Athina's Platforms Project

June 6, 2015
Right now, from 4 - 7 June, IS-projects presents Therely Bare (Redux) on the  Platforms Project at Art Athina.

Still entrance tickets availabe!



http://www.art-athina.gr

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Artist Focus: Richard van der Aa

May 29, 2015
“These are pictures of paintings. I’m not ashamed (but I am post-modern)”. Read comments posted by Richard van der Aa is a Facebook thread from 2014. If you’re intensely invested in “picturing paintings” and understand the context of non-objective art, you know the shame to which Richard speaks. But for anyone who has seen Richard’s work, you know the comment is more than a bit superfluous. You can plainly see how boldly (and without shame), Richard pursues his picturing in each...
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